CHAT

Friday, October 30

10 bass lines [lesson]

These bass lines can obviously used on keyboard and piano as well as guitar.

Tuesday, October 27

Happy Birthday Sing-Along and Beatles Birthday by Rick & Dorothy Piano-Keyboard Hour for your Retirement Residence

MEMO

To: Activity Directors at Retirement Residences in the Phoenix AZ area.

From: Rick Potvin (rick_potvin@yahoo.com)


Have you considered "birthday party concerts" as a way to entertain your residents? Dorothy and Rick's Piano-Keyboard Hour provides a rousing birthday sing along in the middle of their performance that is sure to reinforce a positive and uplifting feeling among your residents with birthdays in any particular month.

Monday, October 26

Brown Eyed Girl

Interesting performance here of what's become a duelling piano bar standard worldwide including cruise ships everywhere-- Van Morrison's 1967 Brown Eyed Girl. Duelling piano bars encourage shouting and acting up that destroy tunes but this performance is in a restaurant where I'm more used to playing. I asked the performer if he's got an ipad/laptop on the music rack and where his bass is coming from-- his foot or a computer recording... or possibly the left hand on a digital piano inlaid on the grand piano case.

Saturday, October 24

Inversions


Chord Inversions for the Left Hand

Rules

1. Chord inversions are different positions of the chord.

2. Root position of the chord is built on tone 1 of the chord.

3. First inversion of the chord is built on tone 3 of the chord.

4. Second inversion is built on tone 5 of the chord.

5. Exercises can be played using fingers 5-3-1 or 5-2-1 of the left hand. 


6. Play or complete the following, then play, the following chord inversions.


Position root 1st inv. 2nd inv.

C MAJOR C-E-G       E-G-C      G-C-E

F MAJOR F-A-C               A-C-F             C-F-A

G MAJOR G-B-D                B-D-G            D-G-B


D MAJOR    _________ __________ ___________

A MAJOR

E MAJOR

B MAJOR









7. How to use inversions in songs: Keep the common note of the new chord as the bottome of the old chord.

Example 1:

C to F to C will be played as 

CEG (root pos'n of C) to 
CFA (2nd inversion of F) to 
CEG  (root position again)


Example 2:

C to G to D

CEG (root pos'n of C) to 
DGB (2nd inv.) to
D F# A (root pos'n of D)


8. If there is no common note in the new chord with the note on the bottom of the old chord, go to the closest note of the new chord to the old chord.

Example 3: 

D to A to E

D F# A (root)   to A C# E (2nd Inv)    to E  G# B (root)








Friday, October 23

Benghazi music playlist

I found this playlist with music about and from Benghazi mildly interesting due to all the focus on mainstream media's coverage of Hillary and the apparent disaster there a few years ago at the CIA hangout. It turns out, judging by the video below, that Benghazi is a very large city. I find it strange that gangster rap type music and moves have translated themselves to their culture. I find that weird. I would have thought there would be modern day updates of indigenous dances and music-- but nope. I've not seen a piano on any the 200 videos yet. We'll see.

Chakra music & explanation may be a way "up" & "out" of "lower dimension" troubles.

I'm not as much into "music" per se as soundscapes that accompany explanations of important things, lately. This is an example: an explanation of chakras to a meditative soundscape composed on keyboard synthesizers and a multi track computer.

Tuesday, October 20

Music Parody Playlist for new Canada PM Justin Trudeau - created by Rick

Orchard Mesa Retirement Center hosted "Piano-Keyboard Hour" AND "Moving to Music Hour" by Rick & Dorothy


We Are the Champions [Queen] piano cover by Rick Potvin by request







Queen 
Tone: F 

     
              Cm  Gm7/C
  I ve paid my dues
                Cm  Gm7/C
  And time after time
              Cm     Gm7/C
  I ve done my sentence
                 Cm  Gm7/C
  But commited no crime
            Eb  Ab
  And bad mistakes
             Eb  Ab
  I ve made a few
             Eb            Bb/D        Cm
  I ve had my share of sand kicked in my face
     F7          Bb   C
  But I ve come through

 F          Am            Dm  Bb C
  We are the champions, my friend
     F           Am                 Bb  D/F#
  And we ll keep on fighting till the end
 Gm                   Bbm           Bbo
  We are the champions, we are the champions
 F           Eb/G          Ab6         Bb7     Cm7
  No time for loosers  cause we are the champions
      ( Fm7  Gm7/C )
  Of the world

               Cm  Gm7/C
  I ve taken my bows
                Cm  Gm7/C
  And my curtain calls
                Cm
  You brought me fame and fortune 
                               Gm7/C
  And everything that goes with it
             Cm  Gm7/C
  I thank you all
                         Eb  Ab
  But it s been no bed of roses
             Eb  Ab
  No pleasure cruise
                 Eb
  I consider it a challenge 
                  Bb/D  Cm
  Before the whole human race
     F7            Bb   C
  And I ain t gonna lose 


LESSON POINTS

1. The key center for the whole song is actually best thought of as C major.

2. Simply think of the I-chord as a "minor'd one chord" and the Gm as a "minor'd V-chord". That way, you won't have to transpose anything in your head but rather simply think of the minored chords as subsitutes for the major.

3. From C, the Eb and Ab are simply the common rock-oriented flat  III and flat VI chords. The Bb/D is a Bb chord first inversion and it's thought of as a common rock-oriented bVII. 

4. The chorus is indeed transposed, there's no way around it. Note that F is I, Am is iii, Dm is vi, Bb is IV and C is V.
The D/F# is a majored VI chord.
The Bbm is an altered Bb chord. 
Both of these are quite common. 
Eb and Ab are bVII and bIII respectively, again commonly used.
The Cm is a transition back to key center C.

5. Note the vocal is done first, then the instrumental.

6. Note I'm using a vocoder AND that my pitch is lower than the original making it possible for the audience to sing along. Professional singers are mostly singing too high and this makes most recordings impossible for regular people to sing along. It's crazy. I'm not a trained vocalist-- just an ordinary person trying to sing as I think most people should get training in.

7. Note too that I'm not a "duelling piano" player which I find to be anathema to the piano business. Piano vocals in the tradition of the bars in the early 20th century are of interest to me but not two pianos and shouting as at the Shout House and similar venues. 



Monday, October 19

Hello Goodbye [Beatles]




Hello Goodbye chords
The Beatles 

Dm           C
You say yes, I say no 
G7               Am            G7
You say stop and I say go, go, go 
Am  G7
Oh, no 
G7           G      F        C
You say goodbye and I say hello 

Hello, hello 
             F               G#
I don't know why you say goodbye 
         C
I say hello 

Hello, hello 
             F               G#
I don't know why you say goodbye 
         C
I say hello 

Dm          C
I say high, you say low 
G7               Am            G7
You say why, and I say I don't know 
Am  G7
Oh, no 
G7           G      F        C
You say goodbye and I say hello 

Hello, hello 
             F               G#
I don't know why you say goodbye 
         C
I say hello 

Hello, hello 
             F               G#
I don't know why you say goodbye 
         C
I say hello 

C              G7
Why, why, why, why, why, why 
       Am
Do you say good bye 
    G                       Am
Goodbye, bye, bye, bye, bye 

Am  G7
Oh, no 
G7           G      F        C
You say goodbye and I say hello 

Hello, hello 
             F               G#
I don't know why you say goodbye 
         C
I say hello 

Hello, hello 
             F               G#
I don't know why you say goodbye 
         C
I say hello 

Dm           C
You say yes, I say no 
G7               Am            G7
You say stop and I say go, go, go 
Am  G7
Oh, no 
G7           G      F        C
You say goodbye and I say hello 

Hello, hello 
             F               G#
I don't know why you say goodbye 
         C
I say hello 

Hello, hello 
             F               G#
I don't know why you say goodbye 
         C
I say hello 

Hello, hello 
             F               G#
I don't know why you say goodbye 
         C      G# F
I say hello hello  o

     C       
helllloooo 

C             
Hela, heba helloa 
C             
Hela, heba helloa  




AMAZING ROMAN NUMERALS
Ok time for Roman Numerals. Look at the first stanza. 


Dm           C
You say yes, I say no 
G7               Am            G7
You say stop and I say go, go, go 

Key center is what? C? You're right. The Dm is ii, the C is I, the G7 is V7. Whoever heard of a song starting on ii? The Beatles, that's who! 

Now, look at this flat 7... 

 F               G#
I don't know why you say goodbye 
         C
I say hello 

On the internet based chord charts, they SAY it's G# but that's because they don't know any better. It's actually A flat and it's a flat VI chord.

UPDATE-- My personal instruction video has been added to 
the playlist around video #5.  Notice how simple it sounds 
compared to the original Beatles version. Yet the Beatles 
version uses precisely the same chord changes. This in itself 
is a "lesson". Never be fooled by fancy sounds. The chords 
are the foundation. 





Sunday, October 18

Simple Man (Lynard Skynard) cover by Rick Potvin



Key center is Am... look at it from that point of view. It's a minor one chord. Move to C which is the flat III chord. Then the G would be the flat seven chord. The minor scale obviously is the same scale as C major but rather than memorize chord progressions from a minor scale point of view, I like to look at it from the point of view of a major scale with a flat 3 and flat 7 because key centers in many songs change often... and you can't redo roman numerals back and forth in the middle of a song when the key center changes. 

So here we have the repeating progression i - bIII - bVII - i. That's sweet. Take it into any key you want that way and it'll work fine. 


Simple Man

By: Lynyrd Skynyrd        Tabbed by: Benney60
Tuning: E standard

Intro: C , G , Am , Am7

     C      G           Am     Am7
Mama told me when I was young 
          C       G         Am   Am7
Come sit beside me, my only son 
           C      G          Am  Am7
And listen closely to what I say 
           C
And if you do this 
      G        Am                     Am7
It'll help you some sunny day. Oh Yah! 

Fill: C , G , Am , Am7


              C    G                 Am     Am7
Oh, take your time... Don't live too fast, 
              C   G              Am    Am7
Troubles will come and they will pass. 
              C          G                Am    Am7
You'll find a woman, yea yea, you'll find love, 
          C
And don't forget son, 
         G          Am     
There is someone up above. 
 


 
 
         C     G         Am   Am7
And be a simple, kind of man. 
      C        G              Am         Am7
Oh be something, you love and understand. 
          C     G         Am   Am7           
Baby be a simple, kind of man. 
              C              G   
Oh, won't you do this for me son, 
       Am   Am7
If you can? 




            C   G                    Am   Am7
Forget your lust, for the rich man's gold 
             C   G            Am    Am7
All that you need, is in your soul, 
            C           G            Am   Am7
And you can do this, oh baby, if you try. 
           C               G
All that I want for you my son, 
      Am           
Is to be satisfied. 






          C     G         Am   Am7
And be a simple, kind of man. 
      C        G              Am         Am7
Oh be something, you love and understand. 
          C     G         Am   Am7           
Baby be a simple, kind of man. 
              C              G   
Oh, won't you do this for me son, 
       Am   Am7
If you can? 




Guitar solo: C , G , Am 




               C     G              Am       Am7
Boy, don't you worry... you'll find yourself. 
            C          G             Am    Am7
Follow your heart, lord, and nothing else. 
               C            G        Am   Am7
And you can do this, oh baby, if you try. 
           C               G
All that I want for you my son, 
         Am
Is to be satisfied. 

 


         C     G         Am   Am7
And be a simple, kind of man. 
      C        G              Am         Am7
Oh be something, you love and understand. 
          C     G         Am   Am7           
Baby be a simple, kind of man. 
              C              G   
Oh, won't you do this for me son, 
       Am   Am7
If you can? 
          C     G             Am   Am7
Baby be a simple, be a simple man. 
      C        G              Am         Amy
Oh be something, you love and understand. 
          C     G         Am  Am7
Baby be a simple, kind of man. (Fade ou



Sunday, October 11

Videography of live guitar using zoom X on old Canon camera at Sunnyslope Artwalk 2015

Dorothy and I took to the streets of Sunnyslope-- a neighbourhood in north central Phoenix where we live-- for the annual ArtWalk Festival where vendors sells arts and crafts and local musicians make some noise. It's still over 100F in October during the day so the nights, though cooler, are still warm. My video objective tonight was simply to gather some live musicianship on tape. I had to remind myself of the tape speed, the lighting choice and the zoom technical aspects of things. I used iMovie to process about 15 choice minutes but the program collapsed on my Mac-4 and I lost 3 hours of work. To suffice, I just resurrected a 3 minute guitar vignette and some stills.


 I work at Guitar Center in Peoria so if you see this post and you're local, drop by and say hello. - Rick











 


Here's Dan who I worked with in Auto Upholstery in the late 1990's around the corner at Dave Pizer's auto upholstery shop. Dan is now with the City of Phoenix running their mixing board for concerts. He recognized me before I recognized him. I haven't seen him in over 10 years at least.  

Sunday, October 4

Steve Robinson, Multimedia Prof at Confederation College, Thunder Bay co-produced "Sunglasses at Night"






Steve is a first cousin of mine on my Mom's side-- Rick.

quote



Shortly after graduation, Steve headed to Toronto and worked his way up the production ladder to be Technical Producer on many concert events and Major League Baseball broadcasts. As a Senior Editor, he worked on countless national commercials, TV series such as SCTV and Music Videos – including 2 Juno’s Best Video Award Winners - Corey Hart “Sunglasses at Night” and "Gowan – A Criminal Mind”. 
unquote (source- Confederation College webpage)

Here is Steve's original video


Here is the latest performance of the song by Corey Hart in Montreal in 2014.  

CHORDS & lyrics



Sunglasses At Night - Corey Hart

*PLEASE NOTE! This is transposed down a 1/2 step (1 fret) so you can play these 
chords with a capo on the 1st fret, or click the up arrow to transpose it to the 
actual key!* I play it in Am to save my voice.


Am        Am            Am6
I wear my sunglasses at night

          Am6
So I can, So I can

F                     G                   Am          Am
Watch you weave then breathe your story lines


    Am        Am            Am6
and I wear my sunglasses at night

          Am6
So I can, So I can

F                     G                   Am          Am
Keep track of the visions in my eyes

------

      F        G
While, she's deceiving me, 

F            G
It cuts my security (has)

F       G
she got control of me

F                 G
I turn to her and say

------

Am                             Am                   F    G
Don't switch the blade on the guy in shades; oh no 

Am                         Am                  F    G
Don't masquerade with the guy in shades; (oh no)

I can't believe it

Am                        Am                   F   D**
You got it made with the guy in shades; oh no

------

Am        Am            Am6
I wear my sunglasses at night

          Am6
So I can, So I can

F                     G                   Am          Am
Forget my name while you collect your claim

    Am        Am            Am6
and I wear my sunglasses at night

          Am6
So I can, So I can

F                     G                   Am          Am
See the light that's right before my eyes

------

      F        G
While, she's deceiving me, 

F            G
It cuts my security (has)

F       G
she got control of me

F                 G
I turn to her and say

------

Am                             Am                   F    G
Don't switch the blade on the guy in shades; oh no 

Am                         Am                  F    G
Don't masquerade with the guy in shades; (oh no)

I can't believe it

Am                      Am                  F    G
Don't be afraid of the guy in shades (oh no)

Am                        Am                   F   G
You got it made with the guy in shades; oh no

------

-Guitar Solo-

Am            Am 

Am6           Am6

F             G

Am            Am  
                          I Said

------

Am            Am         
   I wear my sunglasses at night

Am6           Am6
   I wear my sunglasses at night

F             G
   I wear my sunglasses at night

Am            Am  
                        I say to ya now


Am            Am         
   I wear my sunglasses at night

Am6           Am6
   I wear my sunglasses at night

F             G
   I wear my sunglasses at night

Am            Am  
                        I cry to you
 
Am            Am         
   I wear my sunglasses at night

Am6           Am6
   I wear my sunglasses at night

F             G
   I wear my sunglasses at night

Am            Am


PIANO and Piano-vocal "covers" or renderings.

1. Pretty good all-piano version where you can see the chords being played. 
https://www.youtube.com/watch?v=bu4Rmt1O8FU
Corey Hart - Sunglasses at night (Piano Cover) - YouTube

2.Wrong chords on this one.
Corey Hart - "Sunglasses at Night" (Piano Cover) - YouTube